Dr Tru Paraha

PhD (University of Auckland)

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Post Doctoral Fellow


Commissioned works (selected):

  • Stargazer, Basement Theatre Ideas in Residence, Auckland (2020)
  • The gloaming, Tempo Dance Festival NZ, Auckland (2019)​
  • 5th Body: xorcsm, Experimental Dance Week Aotearoa, Auckland (2019)
  • Pā Huna, choreo-film, DANZ, New Zealand (2018)
  • 5th Body, Votive Poetics Workshop, Auckland (2018)
  • blackOut, Kenneth Myers Centre, Auckland (2018)
  • KARE; kind artificial real experience, Undisciplining Dance Symposium, Auckland (2016)
  • HINE-2012, Maidment Theatre, Auckland (2012)
  • HINE-, Kowhiti Dance Festival, Wellington (2011)
  • Mareikura, Te Papa Tongarewa, Wellington (2008)
  • Bloodearth dark ocean, Auckland Matariki Festival (2007)
  • Parekura, MauForum, Auckland (2004)

Tru Paraha (Ngāti Hineāmaru, Ngāti Kahu o Torongare) is a professional choreographer, writer, dramaturg, and director of contemporary performance. A graduate of the New Zealand School of Dance, she has toured extensively to international festivals and residencies as an independent artist and former company member of Mau Dance. Her commissioned choreographies and collaborative works extend across visual arts, dance, film, music, live art, and spatial design.

Tru has lectured in arts disciplines at MIT (Creative Arts), Unitec (School of Creative Industries), AUT (School of Art and Design), Massey University (College of Creative Arts), and the University of Auckland. As a practitioner working within the Faculty of Arts, she specialises in artistic research with interests in transcultural poetry and poetics, experimental writing, and mātauranga Māori embedded practice. Tru currently holds a postdoctoral fellowship in English and Drama.

Research | Current


  • Astrochoreography
  • Performance philosophy
  • Stargazing as creative practice

Tru's transdisciplinary research develops astrochoreography and dark sky archives. Engaging global astrophysics and tātai arorangi, the project extends its concerns toward the protection of the night sky as a world cultural heritage. An essay on dark cosmology and its implications for performance and poetics is forthcoming in Choreographic Practices (UK). A collaborative article is forthcoming in Global Performance Studies and the Journal of Dramatic Theory and Criticism (USA)

Artists' pages and writings arising out her recent PhD are published in The Routledge Companion to Performance Philosophy (2020), Performance Research (UK), Undisciplining Dance in Nine Movements and Eight Sumbles (2018), and Ka Mate Ka Ora (NZ). Selected poems are published across digital and page-based platforms including Poetry New Zealand, Blackmail Press, Tātai Whetū, Puna Wai KōreroThe Moon on My Tongue, and Best New Zealand Poems 2017. New works will feature in AUP New Poets Series 8 published by Auckland University Press (2021). 

Teaching | Current


ENGLISH 113 Global South: New World Texts


  • Te Tomokanga Postdoctoral Fellowship, Faculty of Arts 2020
  • Basement Theatre Ideas in Residence Established Artist 2020
  • Michael King Writers' Centre Residency 2020
  • Vice-Chancellor's Prize for Best Doctoral Thesis 2019
  • Dance Aotearoa New Zealand Choreographic Residency 2018


Student and Staff Consultative Committee, English & Drama

Areas of expertise

  • Experimental choreography
  • Critical performance studies
  • Critical dance studies
  • Transcultural creative writing
  • Practice-led research
  • Live art production
  • Contemporary performance
  • Indigenous performance philosophy

Committees/Professional groups/Services

  • Member of The International Dark-Sky Association (IDA) 
  • Member of The Auckland Astronomical Society (AAS)


Selected publications and creative works (Research Outputs)

As of 29 October 2020 there will be no automatic updating of 'selected publications and creative works' from Research Outputs. Please continue to keep your Research Outputs profile up to date.
  • Paraha, T. (2020). A Choreopoetics of Te Pō. Ka Mate Ka Ora : a New Zealand Journal of Poetry and Poetics (18), 29-41. Related URL.
  • Paraha, T., & Schmidt, T. (2020). Blackout: Thinking with darkness. In Cull Ó Maoilearca L, A. Lagaay (Eds.) The Routledge Companion to Performance Philosophy (pp. 437-446). Routledge.
  • Paraha, T. (2018). Darknyss/Te pōuri. In M. Rakuraku, V. Manasiadis (Eds.) Tātai Whetū: Seven Māori women poets in translation (pp. 12-20). Wellington, New Zealand: Seraph Press.
  • Paraha, T. (2018). & darkness. In C. Brown, Longley, A (Eds.) Undisciplining dance in nine movement and eight stumbles (pp. 119-137). Newcastle, England: Cambridge Scholars Publishing. Related URL.
    URL: http://hdl.handle.net/2292/50466
  • Paraha, T. (2018). Colluding with Darkness. PERFORMANCE RESEARCH, 23 (2), 49-54. 10.1080/13528165.2018.1464754
    URL: http://hdl.handle.net/2292/50734
  • Paraha, T. (2017). Selected poems. In R. Whaitiri, R. Sullivan, B. Styles (Eds.) The moon on my tongue: An anthology of Maori poetry in English (pp. 88-91). Lancs, United Kingdom: Arc Publications.
  • Paraha, T. (2017). Writing with darkness & other poems. Paper presented at Performance Writing Symposium, Auckland, New Zealand. 22 March 2017.
  • Paraha, T. (2017). A moanan theory of reality television. Best New Zealand poemsWellington. Related URL.


Contact details

Primary office location

Level 6, Room 651
New Zealand

Social links

Web links