Dr Tru Paraha

PhD CP (University of Auckland)

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Post Doctoral Fellow

Biography

Choreographic works (selected):

  • 5th body: Almanac (current project 2021)
  • Whiro, ORO Live Art Installatiion, TAPAC (2021)
  • Stargazer, Basement Theatre Ideas in Residence (2020)
  • The gloaming, Tempo Dance Festival NZ (2019)​
  • 5th Body: xorcsm, Experimental Dance Week Aotearoa (2019)
  • Pā Huna, choreo-film, DANZ, New Zealand (2018)
  • 5th Body, Votive Poetics Workshop, Auckland (2018)
  • blackOut, Kenneth Myers Centre, Auckland (2018)
  • KARE; kind artificial real experience, Undisciplining Dance Symposium (2016)
  • HINE-2012, Maidment Theatre, Auckland (2012)
  • HINE-, Kowhiti Dance Festival (2011)
  • Mareikura, Te Papa Tongarewa (2008)
  • Bloodearth dark ocean, Auckland Matariki Festival (2007)
  • Parekura, MAUForum, Auckland (2004)

Tru Paraha (Ngāti Hineāmaru, Ngāti Kahu o Torongare) is a professional choreographer, writer, dramaturg, and director of contemporary performance. A graduate of the New Zealand School of Dance, she has toured extensively to international festivals and residencies as an independent artist and former company member of MAU. Her commissioned choreographies and collaborative works extend across visual arts, dance, film, music, live art, and spatial design.

Tru has lectured at MIT (Creative Arts), Unitec (School of Creative Industries), AUT (School of Art and Design), Massey University (College of Creative Arts), and the University of Auckland. She specialises in artistic research with interests in contemporary poetry and poetics, transcultural writing, mātauranga Māori embedded practice, and contemporary performance. In 2020 Tru received a Michael King Writers' Centre residency, a Basement Theatre Ideas in Residence residency, and the Te Tomokanga Postdoctoral Fellowship from the Faculty of Arts.

Research | Current

 

  • Astrochoreography
  • Performance philosophy
  • Stargazing as creative practice

Tru's transdisciplinary research develops astrochoreography and dark sky archives. Engaging global astrophysics and tātai arorangi, the project extends its concerns toward the protection of the night sky as a world cultural heritage. This research has included a two-week residency at the Aoraki Mackenzie International Dark Sky Reserve. An essay on dark cosmology and its implications for performance is published in Choreographic Practices (UK) and and Ka Mate Ka Ora (NZ). A collaborative article is forthcoming in Global Performance Studies and the Journal of Dramatic Theory and Criticism (USA)

Writings arising out of Tru's recent PhD are published in The Routledge Companion to Performance Philosophy (2020), Performance Research (UK), and Undisciplining Dance in Nine Movements and Eight Sumbles (2018). Selected poems have been published across live, digital and page-based platforms, including Poetry New Zealand, Blackmail Press, and Tātai Whetū. A short collection 'in my darkling universe' is forthcoming in AUP New Poets Series 8, published by Auckland University Press. 

Teaching | Current

Convenor and lecturer

ENGLISH 113 Global South: New World Texts

Distinctions/Honours

  • Te Tomokanga Postdoctoral Fellowship, Faculty of Arts 2020
  • Basement Theatre Ideas in Residence Established Artist 2020
  • Michael King Writers' Centre Residency 2020
  • Vice-Chancellor's Prize for Best Doctoral Thesis 2019
  • Dance Aotearoa New Zealand Choreographic Residency 2018

Areas of expertise

  • Experimental choreography
  • Critical performance studies
  • Critical dance studies
  • Transcultural creative writing
  • Live art production
  • Performance writing

Committees/Professional groups/Services

  • Member of The International Dark-Sky Association (IDA) 
  • Member of The Auckland Astronomical Society (AAS)
  • Member of The New Zealand Poetry Society (NZPS)

 

Selected publications and creative works (Research Outputs)

As of 29 October 2020 there will be no automatic updating of 'selected publications and creative works' from Research Outputs. Please continue to keep your Research Outputs profile up to date.
  • Paraha, T. (2020). A Choreopoetics of Te Pō. Ka Mate Ka Ora : a New Zealand Journal of Poetry and Poetics (18), 29-41. Related URL.
  • Paraha, T., & Schmidt, T. (2020). Blackout: Thinking with darkness. In Cull Ó Maoilearca L, A. Lagaay (Eds.) The Routledge Companion to Performance Philosophy (pp. 437-446). Routledge.
  • Paraha, T. (2018). Darknyss/Te pōuri. In M. Rakuraku, V. Manasiadis (Eds.) Tātai Whetū: Seven Māori women poets in translation (pp. 12-20). Wellington, New Zealand: Seraph Press.
  • Paraha, T. (2018). & darkness. In C. Brown, Longley, A (Eds.) Undisciplining dance in nine movement and eight stumbles (pp. 119-137). Newcastle, England: Cambridge Scholars Publishing. Related URL.
    URL: http://hdl.handle.net/2292/50466
  • Paraha, T. (2018). Colluding with Darkness. PERFORMANCE RESEARCH, 23 (2), 49-54. 10.1080/13528165.2018.1464754
    URL: http://hdl.handle.net/2292/50734
  • Paraha, T. (2017). Selected poems. In R. Whaitiri, R. Sullivan, B. Styles (Eds.) The moon on my tongue: An anthology of Maori poetry in English (pp. 88-91). Lancs, United Kingdom: Arc Publications.
  • Paraha, T. (2017). Writing with darkness & other poems. Paper presented at Performance Writing Symposium, Auckland, New Zealand. 22 March 2017.
  • Paraha, T. (2017). A moanan theory of reality television. Best New Zealand poemsWellington. Related URL.

Identifiers

Contact details

Primary office location

HUMANITIES BUILDING - Bldg 206
Level 6, Room 651
14A SYMONDS ST
AUCKLAND CENTRAL
AUCKLAND 1010
New Zealand

Social links

Web links