Professor Paul J A Clark
BA MA Auckland, Diploma Peking University, AM PhD Harvard
Paul Clark was a pioneer in the academic study of Chinese films. After completing a Masters degree in New Zealand Maori history, he was one of the first three New Zealand students to go to Beijing on official exchange for two years study. His Harvard PhD thesis was on the Chinese film industry from 1949 to 1983. He has published books on Maori history, Chinese cinema, a cultural history of the Cultural Revolution, and on Chinese youth culture in 1968, 1988 and 2008. His current Mardsen Fund project is on changing leisure spaces in Beijing since 1949.
Research | Current
Research interests: Chinese films and popular culture, including culture during the Cultural Revolution (1966-1976); Chinese youth culture; Beijing since 1949.
My current book project is a history of leisure and changing leisure spaces in Beijing since 1949. It builds on two strands in my research career: history and cultural studies. This project is supported by a grant from the Marsden Fund of the Royal Society of New Zealand. I continue to write on Chinese film history, particularly the period from 1949 until the 1980s.
My most recent book is on the development of Chinese youth culture from 1968 to 2008, showing how young Chinese learned to assert their identity in three very different historical circumstances. My cultural history of the Chinese Cultural Revolution (1966-1976) which covers the beginning of this period, was also published by Cambridge University Press. The 2005 book on the Fifth-Generation filmmakers was reprinted in 2014 with an update.
Teaching | Current
ASIAN 100 Images of Asia
CHINESE 130 Rethinking China
CHINESE 203 China on Screen
CHINESE 303 China on Screen
CHINESE 724 Chinese Film and Popular Culture
Paul Clark supervises doctoral and Masters research on Chinese film, modern Chinese literature and modern Chinese history. Two current doctoral students are researching the question of realism in contemporary Chinese cinema and the hidden cultural meanings in the model performances of the Cultural Revolution.
- 2014 - present, Member of the Hong Kong Research Grants Council
- 2012 - present, Associate Director, New Zealand Contemporary China Research Centre
- 2009 - present, Editor, New Zealand Journal of Asian Studies
- 2009 Guest Editor, Renditions: A Translation Journal, Spring 2009 Chinese film script issue (Chinese University of Hong Kong)
- 2008 - present, Academic Director, The New Zealand Centre at Peking University
- 2008, 2009 Humanities Panel member, Marsden Fund, Royal Society of New Zealand
- 2006- present, Board Member, Confucius Institute, Auckland
Paul Clark is Research Director in the School of Cultures, Languages and Linguistics
Areas of expertise
Contemporary Chinese popular culture, including films; the Cultural Revolution; Chinese youth culture since 1949; Beijing social history since 1949.
2014-2016 Marsden Fund award, Royal Society of New Zealand, “Recreating Beijing: Public space, private pursuits and popular agency since 1949.
2009 Editor, New Zealand Journal of Asian Studies – on-going since 2009.
2009 Guest Editor, Renditions: A Translation Journal, Spring 2009 Chinese film script issue (Chinese University of Hong Kong).
2008 Academic Director, The New Zealand Centre at Peking University – on-going.
2008, 2009, 2010 Humanities Panel member, Marsden Fund, Royal Society of New Zealand.
2006-2008 Marsden Fund award, Royal Society of New Zealand, “Being Chinese: Youth and globalisation 1968, 1988, 2008.
2006 Board Member, Confucius Institute, Auckland.
Selected publications and creative works (Research Outputs)
- Clark, P. J. A., Pang, L. K., & Tsai, T.-H. (Eds.) (2015). Listening to China's Cultural Revolution Music, Politics, and Cultural Continuities. New York: Palgrave Macmillan. Pages: 292. 10.1057/9781137463579
- Clark, P. J. A. (2014). Chongsu Zhongguo: yidai dianyingren he tamende dianying (in Chinese) (Chinese translation). Zhengzhou, China: Henan University Publishing House. Pages: 304.
- Clark, P. J. A. (2012). Youth Culture in China: From Red Guards to Netizens. New York and Cambridge, UK: Cambridge University Press. Pages: 303.
- Clark, P. J. (2011). Closely watched viewers: A taxonomy of Chinese film audiences from 1949 to the Cultural Revolution seen from Hunan. Journal of Chinese Cinemas, 5 (1), 73-89. 10.1386/jcc.5.1.73_1
- Clark, P. J. A. (2009). Special Issue: Chinese Film [Guest editorship, working with nine other international film scholars, of Chinese University of Hong Kong journal]. Renditions: A Chinese-English Translation Magazine, 71, 1-137.
- Clark, P. J. A. (2008). The Chinese Cultural Revolution: A History. New York: Cambridge University Press. Pages: 352.
- Clark, P. J. A. (2005). Reinventing China: A Generation and Its Films. Hong Kong: The Chinese University Press. Pages: 265.